櫥窗電視
TV Window
延續先前的創作脈絡，以「影像映射」的概念提出新的討論。觀察文化櫥窗的現場，思考這樣的展演空間是較為之前少見的，私將三面窗想像為三面螢幕，嘗試疊合櫥窗的空間與螢幕的空間。藉以窗框與螢幕邊框，討論實體的框與虛擬的框，數位影像是具有邊際的嗎？我們習慣使用螢幕來觀看影像，螢幕的框是否即是影像的邊框，框內與框外是什麼或是又代表什麼。螢幕化作櫥窗、螢幕中出現櫥窗與螢幕，從而討論實體的空間物件與虛擬的影像空間，螢幕中出現螢幕，意謂虛擬的幻象中出現虛像，幻中幻，影像是指向真實還是愈加虛幻；同時，螢幕中的螢幕也與現場空間中，櫥窗中的螢幕做一個微妙的呼應。螢幕中左右的單色，像是綠幕與藍幕，填補框（窗框）與框（邊框）之間的空間，亦像是數位影像的圖層背景，扁平，同時又充滿空間的可能性。
I envisage the three windows as three screens, attempting to overlay the spatiality of the shop window with that of the screens. By juxtaposing the window frames with the screen borders, I aim to discuss the physical and virtual frames: do digital images possess margins? We are accustomed to viewing images on screens; are the borders of the screen also the borders of the image, and what do the inside and outside of the frame represent? Screens transform into shop windows, and within the screens, both shop windows and screens appear, thus exploring the physical spatial objects and virtual image space. Screens within screens imply the appearance of virtual images within illusions, a recursion of illusions, questioning whether images point to reality or become increasingly illusory. Furthermore, the screens within screens subtly resonate with the screens within the physical space, within the shop windows. The monochromatic hues on the left and right of the screens, resembling green screens and blue screens, fill the space between the frames (window frames) and the borders (screen borders), akin to the layered background of digital images—flat yet brimming with spatial possibilities.
2021
Dimension Variable
TV screens
Loop
SSU CHI HOU | 侯思齊 