SSU CHI HOU | 侯思齊

玻璃的顏色

The Alpha of Window

擷取臺灣傳統壓花玻璃的「圖樣」，以新的視角討論玻璃的「透明」。

我認為壓花玻璃所產生的光影視覺，與數位影像中的濾鏡效果，兩者有某種有趣的虛實對應，作品實驗以數位影像描繪「透明的圖像」，再將其實體化並疊加於空間中的玻璃窗戶，在透明與圖像之間，擴延對於玻璃顏色的討論。

Extracting the “patterns" of traditional embossed glass in Taiwan, this work explores the concept of “transparency" from a new perspective.

I find an intriguing parallel between the light and shadow effects created by embossed glass and the filter effects in digital imagery—both presenting a unique interplay of reality and illusion. This experiment translates digital depictions of “transparent images" into physical forms, layering them onto glass windows within a space. By positioning transparency and imagery in dialogue, the work extends the discussion on the perception and materiality of glass and its inherent colors.

2025

Dimension Variable

3d printing, digital printing, contour spotlight