副本太陽
Carbon Sunlight
試將影像從數位自身中拉伸至實體空間，不遮蓋窗戶，以反影像邏輯的操作，讓現實光影流進影像空間當中。試圖探索窗戶、窗戶灑入空間的窗光、螢幕以及螢幕反射至空間的光，這些視覺的相互關係；用投影模擬陽光的剪影，並在側邊的牆面上架設電視螢幕來呼應窗戶。
在實體建築中找尋混沌之域；窗戶上覆蓋了一層綠色透明膜，轉換玻璃原本的性質，將穿入室內的陽光轉作窗戶表面延伸至空間的光，《副本太陽》不再是再現真實，而是描繪一個數位化的想像，空間中移動的綠色剪影，虛實重疊投影與陽光，創造一個奇異的幻景。
Attempting to stretch the image from digital space to physical space, I employ a logic of anti-imaging, leaving the windows uncovered to allow external light to flow into the space and influence the image. This exploration delves into the interplay of window light, screen light, and the reflections of screens within the space.
Within the physical architecture, I seek the undefined space between material and digital, applying a layer of green transparent film onto the windows to alter their properties, transforming the sunlight entering the interior into light extending onto the surface of the windows. I utilize projection to simulate the silhouette of sunlight and employ another television to mimic and correspond with the windows, projecting silhouettes of nonexistent “windows" into the space. “Carbon Sunlight" no longer reproduces reality but depicts a digital imagination. The moving green silhouettes in space, the overlapping projections and sunlight of virtual and real, create a peculiar spectacle.
2022
Dimension Variable
Projectors, TV screen, Window film
Loop
SSU CHI HOU | 侯思齊 